The
recent piece that I did is part of my theme of internal
contradictions. I was inspired by a Japanese artist called Yue, who uses light
shades of pencil and splashes of tea as background to create a mysterious and
harmonic feel to her works. Since I accidentally spilled coffee on my last piece and
the color of the coffee stains end up improving the visual effect of that
piece, I decided to experiment with pouring tea on my recent piece. The tea
background came out in a pretty nice and warm tone, and goes well with the
pencil lines. However, my inexperience in using tea caused the background to
lack color difference and depth, which is what I was hoping to achieve. Though
I used some watercolor to improve the background, it is still kind of dull.
Apart
from trying to use tea, I also tried using sketch lines to complete elements on
the background instead of using refined lines as I have always done. I was
scared to try this technique at first, but realized that these lines
successfully created emphasis on the main objects and gave the background a
nice texture.
For
this piece I was aiming to express the coexisting evil and innocence. Both
figures in the piece is part of myself. The adult figure is going through a
transformation towards becoming a Hanya, which is a female Japanese monster.
Hanyas are originally innocent females, but becomes evil after possessing
strong envy and hatred. The little girl represents innocence. The hanya knows
that the little girl will one day become like her and wants to prevent this
from happening, but could not stop the process. I wanted to express myself
being exposed to and falling toward evil, but the innocence still exists. I am
tempted by evil and will become a monster, but at the same time I don’t want to
become a monster and want the innocence to stay.